On Thu, 23 Jun 2016 23:40:19 -0400, Rich Rostrom
Post by Rich RostromPost by The Horny GoatIndeed - if there is in fact any other major theme in his books I
would like to know what it is.
AIUI, his major theme is...
Hitler screwed up, so did other Nazis. One
reason Speer got off lightly at Nuremburg was his
willingness to criticize the other Nazis and even
Hitler. And not just for crimes against humanity
or starting the war, but for corruption and bungling
in fighting the war. Much of this criticism was at
least partly factual, and coming from a senior Nazi
was thus very useful to the Allies.
It appears to be the same in his books.
I'd say you're right. That does not of course make it the truth as
Speer had every incentive at Nuremberg (e.g. saving his own neck) to
not tell the truth.
Gitta Sereny's main thesis was that Speer knew that plenty of German
wawr industries employed slave labor and since he was the one
responsible for that industry he was the one who should have taken the
blame at Nuremberg - and that several lesser employers of slave labor
were hung for their crimes. She further says if Speer had told the
unvarnished truth he would have swung with them.
I am currently reading Joachim Fest's book on Speer and it is
interesting that he reviews Sereny's book and conclusion (only
revealed in the last paragraph of the last chapter) that by the
standards of the Nuremberg Tribunals that Speer had earned a death
sentence - and only mentions that conclusion in a footnote.
On the other hand, I did not know Milch and Speer worked so closely
together though I am skeptical of Fest's claim that Speer made a
serious effort to oppose Hitler's "wonder weapons" fantasies.
Seems to me that another author's case that the International Court at
Nuremberg botches the prosecution of a major war criminal is quite a
bit more maor than merely footnote worthy but I am not a professional
historian particularly not a GERMAN professional historian.
If anyone knows a source other than Sereny that discusses in detail
Speer's life after his release from Spandau in 1966 I would very much
like a reference. To me the manner of his passing (in bed with a
mistress in London - after the way his wife supported him through the
war and his imprisonment) says all I need to know about his character
- which obviously evolved over time.